Visions of Another Continent

– A Colorful Balcony of Feathers –

by Fernando Paramio

90,004.250,00

  • Conceived, executed and printed by the artist
  • Visually pleasing, intellectually stimulating and emotionally alive
  • Museum quality paper and long-lasting properties
  • Find description, info and details below
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Select foam board (with neutral pH adhesive) * 

– Pasting the artwork to the foam backboard prevents rippling
– Recommended for A3 and A2 editions
– Required for the rest of the editions if you order also a frame
– Please, select below the right size of your neutral pH foam board:

Select Matting (passe-partout) * 

– A passe-partout, or matting, adds space around the artwork and depth.
– Matting is not available for these editions: Museum, Château & Palace (please select the first option “No passe-partout required)
– Please, select first the right size of the edition, for your passe-partout:

Select passe-partout lenght

Select Framing & Mould * 

– Please, select below the right size of your frame:

– Please, select below the wood mould model you wish:
(for more information and pictures visit Menu/Info)

Select Acrylic glass * 

– Glass in front of the artwork protects it from UV light, scratches, insects…
– Features: Low reflectivity – High transparency – UV filter
– The UV filter will increase significantly the life of your artwork (x3-4 times)
– The acrylic glass thickness depends on the artwork size and mould model
– If you add a frame to your order, it is a good idea to add an acrylic glass also
– If you want to order an acrylic glass, please select it below with the same size as your artwork:

A colorful balcony of feathers (balcón plumicromado)

Significance of the artwork:

This artwork shows us that getting old does not mean getting ugly: beauty finds its way to keep shining.

Description:

Although we do not realize about it, amongst the first sounds that we hear when we arrive to a city are the singings of the birds. In my case, the first that caught my attention just after arriving Melbourne was a bird couple two meters above me, calmly enjoying a perfect day. There they were, unaware of their importance to me, being the first time in my life that I saw birds like them. Up until then I was ignorant about their existence and I gaze at them as though they were a new species recently created.

I found many other unknown birds in Australia. Others, also living in Europe, surprised me both in nature and in the middle of the cities, replete with green areas, inviting birds to explore urban zones.

This artwork shows a European old balcony which resembles me a rickety birdcage. I image the great amount of birds that could find rest in its structure.

This artworks has been awarded with an “Honorable Mention” in the international photographic competition “Chromatic Awards”, 2017, professional fine art category.

Editions

Media selection (paper finish)

Matte – artist’s recommendation (Edition Etching)

This artwork looks extraordinary both with a matte and a with a satin paper. Many visitors to our gallery initially think that this is a paint, not a mixing of photographs. And it happens with both paper finishes.  

Although the artist still doubts, he prefers a matte finish, using Canson Infinity Edition Etching Rag 310gsm, a slightly textured matte paper, which provides a subtle pictorial appearance, more poetic, in line with the artwork look and story.

Satin – optionally (Baryta & Platine)

A satin finish paper will provide a more photo-realistic appearance to this artwork. And it also looks beautiful with this artwork. In fact, it is probably a better media to represent the window glasses than the matte paper, although overall the artist prefers the matte look. 

If you are looking for a more literal look, with deeper blacks and higher contrast, and you are not very fan of matte papers, then go for this option. Just be aware that this paper has some reflections and it will be more important to control the lighting of the room. We will use Canson Infinity Platine Fibre Rag (Palace edition) and Canson Infinity Baryta Photographique (rest of editions)

Technical info

Year

End of creation: 2018

Location

Birds – Australia

Balcony – Spain

Main gear

Canon EOS 5Ds-R & 5D mark III

Canon EF300mm f/2.8L IS II USM

Canon EF 100mm f/2.8L IS USM

 

Print relevant info

Printed by the author using his own printer (total quality control)

Printer: Canon Imageprograf PRO-6000 (outstanding quality)

Inks: original Lucio PRO inks (12 pigmented inks)

Museum quality paper (norm 9706; long-lasting properties) 

Canson Infinity Edition Etching Rag 310 g/m2 (matte) 

– Also available in satin paper:

Canson Infinity Platinum Fibre Rag 310 g/m2 (Palace Edition)

Canson Infinity Baryta Photographique 310 g/m2 (rest of editions)

White margin for signing and numbering (information below) 

With certificate of authenticity, signed and numbered

Scale, dimensions & margins

A3 Edition

Total size: 29.7 x 42 cm – 11.7×16.5″

Image size: 24.7 x 34 cm – 9.7 x 13.4″

White margin: 2.5 x 4 cm – 1 x 1.6″

A2 Edition

Total size: 42 x 59.4 cm – 16.5 x 23.4″

Image size: 34.8 x 48 cm – 13.7 x 18.1″

White margin: 3.6 x 5.7 cm – 1.4 x 2.2″

Gallery Edition

Total size: 74 x 111.8 cm – 29.1 x 44″

Image size: 72.5 x 100 cm – 28.5 x 39.4″

White margin: 4.3 x 5.9 cm – 1.7 x 2.3″

Museum Edition

Total size: 111.8x154cm – 44×60.6″

Image size: 100x138cm – 39.4×54.3″

White margin*: 5.8x8cm – 2.3×3.1″

Château Edition

Total size: 127.0 x 175 cm – 50 x 68.9″

Image size: 115 x 158.7 cm – 45.3 x 62.5″

White margin: 6 x 8.2 cm – 2.4 x 3.2″

Palace Edition

Total size: 152.4×210 cm – 60×82.7″

Image size: 140×193 cm – 55.1 x 76″

*White margin*: 6.2×8.4cm – 2.4×3.3″

* A different white margin width is possible under request

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