Visions of Another Continent

– Intercontinental Jump –

by Fernando Paramio

90,004.250,00

  • Conceived, executed and printed by the artist
  • Visually pleasing, intellectually stimulating and emotionally alive
  • Museum quality paper and long-lasting properties
  • Exclusive limited editions to protect this art investment
  • Find description, info and details below
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Select foam board (with neutral pH adhesive) * 

– Pasting the artwork to the foam backboard prevents rippling
– Recommended for A3 and A2 editions
– Required for the rest of the editions if you order also a frame
– Please, select below the right size of your neutral pH foam board:

Select Matting (passe-partout) * 

– A passe-partout, or matting, adds space around the artwork and depth.
– Matting is not available for these editions: Museum, Château & Palace (please select the first option “No passe-partout required)
– Please, select first the right size of the edition, for your passe-partout:

Select passe-partout lenght

Select Framing & Mould * 

– Please, select below the right size of your frame:

– Please, select below the wood mould model you wish:
(for more information and pictures visit Menu/Info)

Select Acrylic glass * 

– Glass in front of the artwork protects it from UV light, scratches, insects…
– Features: Low reflectivity – High transparency – UV filter
– The UV filter will increase significantly the life of your artwork (x3-4 times)
– The acrylic glass thickness depends on the artwork size and mould model
– If you add a frame to your order, it is a good idea to add an acrylic glass also
– If you want to order an acrylic glass, please select it below with the same size as your artwork:

Intercontinental Jump

Significance of the artwork:

Surprise is always present in our lives. But you need to be observant to discover it (some of the Qantas flight passengers completed the journey without knowing about the snake).

Also, travelling – like reading – enriches our lives, adds context, helps to find who we are and who we want to be.

 

Description:

This artwork was inspired on the Cairns to Papua New Guinea Qantas flight, dated 10 January 2013, in which a passenger looking through the window discovered a 3-metre python on the plane wing. While I was living in Australia, I heard and read all kind of anecdotes about Australian wildlife, having come to the conclusion that everything is possible there.

This artwork, the first of Visions of Another Continent, represents how, when we travel for long periods, we always bring something, there is always something that changes inside. In my case, that was an increase in my passion for the wild and virgin nature, as well as for certain traits of the Australian lifestyle.

The airline logo shows Mount Uluru’s silhouette, under the six stars of the Australian flag, and a moon shaped like a boomerang, representing the aboriginal culture.

Editions 

Media selection (paper finish)

Satin – artist’s recommendation (Baryta & Platine)

For this artwork, the artist prefers a satin finish paper: Canson Infinity Platine Fibre Rag 310 gsm (Palace Edition) and Baryta Photographique 310 gsm (rest of editions), which provide a photo-realistic appearance, with deeper blacks and higher contrast than a matte paper

Matte – optionally (Edition Etching)

A matte finish paper will provide a more pictorial look to this artwork. Although for this image this paper finish is not the artist’s preferred option, the appearance of the artwork using a matte paper is also undoubtedly good. If you are looking for a softer and more poetical look, or you are not very fan of satin papers, then go for this option. We will use Canson Infinity Edition Etching Rag 310 gsm, a slightly textured matte paper

Technical info

Year

End of creation: 2018

Location

Different locations in Australia

Tower Sande – Cáceres – Spain

Main gear

Canon EOS 5Ds-R & 5D mark III

Canon EF300mm f/2.8L IS II USM

Canon EF100mm f/2.8L IS USM

 

 

Print relevant info

Printed by the author using his own printer (total quality control)

Printer: Canon Imageprograf PRO-6000 (outstanding quality)

Inks: original Lucio PRO inks (12 pigmented inks)

Museum quality paper (norm 9706; long-lasting properties) 

Canson Infinity Platinum Fibre Rag 310 g/m2 (Palace Edition)

Canson Infinity Baryta Photographique 310 g/m2 (rest of editions)

Canson Infinity Edition Etching Rag 310 g/m2 (matte) also available

White margin for signing and numbering (information below) 

With certificate of authenticity, signed and numbered

Scale, dimensions & margins

A3 Edition

Total size: 29.7 x 42 cm – 11.7×16.5″

Image size: 24 x 36 cm – 9.4 x 14.2″

White margin: 2.85 x 3.0 cm – 1.1 x 1.2″

A2 Edition

Total size: 42 x 59.4 cm – 16.5 x 23.4″

Image size: 34 x 51 cm – 13.4 x 20.1″

White margin: 4 x 4.2 cm – 1.6 x 1.7″

Gallery Edition

Total size: 74 x 111.8 cm – 29.1 x 44″

Image size: 66.7 x 100 cm – 26.3 x 39.4″

White margin: 3.7 x 5.9 cm – 1.5 x 2.3″

Museum Edition

Total size: 111.8×167.7cm – 44×66″

Image size: 100x150cm – 39.4×59.1″

White margin*: 5.8×8.85cm – 2.3×3.5″

Château Edition

Total size: 127.0 x 190.5 cm – 50 x 75″

Image size: 115 x 172.5 cm – 45.3 x 67.9″

White margin: 6 x 8.85 cm – 2.4 x 3.5″

Palace Edition

Total size: 152.4×228.6 cm – 60×90″

Image size: 140x210cm – 55.1 x 82.7″

*White margin*: 6.2×9.3cm – 2.4×3.7″

* A different white margin width is possible under request

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