Visions of Another Continent

– Local Tourism –

by Fernando Paramio

90,004.250,00

  • Conceived, executed and printed by the artist
  • Visually pleasing, intellectually stimulating and emotionally alive
  • Museum quality paper and long-lasting properties
  • Exclusive limited editions to protect this art investment
  • Find description, info and details below
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Select foam board (with neutral pH adhesive) * 

– Pasting the artwork to the foam backboard prevents rippling
– Recommended for A3 and A2 editions
– Required for the rest of the editions if you order also a frame
– Please, select below the right size of your neutral pH foam board:

Select Matting (passe-partout) * 

– A passe-partout, or matting, adds space around the artwork and depth.
– Matting is not available for these editions: Museum, Château & Palace (please select the first option “No passe-partout required)
– Please, select first the right size of the edition, for your passe-partout:

Select passe-partout lenght

Select Framing & Mould * 

– Please, select below the right size of your frame:

– Please, select below the wood mould model you wish:
(for more information and pictures visit Menu/Info)

Select Acrylic glass * 

– Glass in front of the artwork protects it from UV light, scratches, insects…
– Features: Low reflectivity – High transparency – UV filter
– The UV filter will increase significantly the life of your artwork (x3-4 times)
– The acrylic glass thickness depends on the artwork size and mould model
– If you add a frame to your order, it is a good idea to add an acrylic glass also
– If you want to order an acrylic glass, please select it below with the same size as your artwork:

Local tourism

Significance of the artwork:

This artwork reminds us how a combination of culture and nature in our lives contributes to enrich our existence. And secondly, it shows – in a metaphorical way – how nature could be more present in our daily lives if we preserved better our environment.

Description:

I remember the first time I ran into kangaroos, a few miles back from a National Park in the “Great Ocean Road”. My partner and I got out of the car to see them, in the distance. Two were fighting, as they do in nature documentaries; this is to say, it’s something they really do, not that they do it as part of a film.

My initial enthusiasm for kangaroos was not however shared by Australians, as a rule. A coworker, when I told him, politely told me, “I’m not so excited by them.” I guess that, in his eyes, I was behaving like a small kid who has just seen his first cow.

What excites me about this image is that, if this were Australia, this kind of scene could really happen: we would have kangaroos running through our age old cities, because as we know from the news, kangaroos sometimes appear in the middle of urban centers. And here, because of the greater appeal of cities, kangaroos would probably be encouraged to visit them more and maybe even in herds.

Editions 

Media selection (paper finish)

Satin – artist’s recommendation (Baryta & Platine)

For this artwork, the artist prefers a satin finish paper: Canson Infinity Platine Fibre Rag 310 gsm (Palace Edition) and Baryta Photographique 310 gsm (rest of editions), which provide a photo-realistic appearance, with deeper blacks and higher contrast than a matte paper

Matte – optionally (Edition Etching)

A matte finish paper will provide a more pictorial look to this artwork. The artist prefers a satin finish because it gives more strength and veracity to the story described by the image.

Notwithstanding, if you are looking for a softer and more poetical look, or you are not very fan of satin papers, then go for this option. We will use Canson Infinity Edition Etching Rag 310 gsm, a slightly textured matte paper

Technical info

Year

End of creation: 2018

Location

Kangaroos – Australia

Street – Cáceres (Spain)

Main gear

Canon EOS 5Ds-R & 5D mark II

Canon EF300mm f/2.8L IS II USM

Sigma 50mm f/1.4 DG HSM (Art) 

 

Print relevant info

Printed by the author using his own printer (total quality control)

Printer: Canon Imageprograf PRO-6000 (outstanding quality)

Inks: original Lucio PRO inks (12 pigmented inks)

Museum quality paper (norm 9706; long-lasting properties) 

Canson Infinity Platinum Fibre Rag 310 g/m2 (Palace Edition)

Canson Infinity Baryta Photographique 310 g/m2 (rest of editions)

Canson Infinity Edition Etching Rag 310 g/m2 (matte) also available

White margin for signing and numbering (information below)

With certificate of authenticity, signed and numbered

Scale, dimensions & margins

A3 Edition

Total size: 29.7 x 42 cm – 11.7×16.5″

Image size: 24 x 36 cm – 9.4 x 14.2″

White margin: 2.8 x 3 cm – 1.1 x 1.2″

A2 Edition

Total size: 42 x 59.4 cm – 16.5 x 23.4″

Image size: 34 x 51 cm – 13.4 x 20.1″

White margin: 4 x 4.2 cm – 1.6 x 1.7″

Gallery Edition

Total size: 74 x 111.8 cm – 29.1 x 44″

Image size: 66.7 x 100 cm – 26.3 x 39.4″

White margin: 4 x 5.9 cm – 1.6 x 2.3″

Museum Edition

Total size: 111.8×167.7cm – 44×66″

Image size: 100x150cm – 39.4×59.1″

White margin*: 5.8×8.8cm – 2.3×3.5″

Château Edition

Total size: 127.0 x 190.5 cm – 50 x 75″

Image size: 115 x 172.5 cm – 45.2 x 67.9″

White margin: 6 x 8.8 cm – 2.4 x 3.5″

Palace Edition

Total size: 152.4×228.6 cm – 60×90″

Image size: 140×210 cm – 55.1 x 82.7″

White margin*: 6.2×9.3cm – 2.4×3.7″

* A different white margin width is possible under request

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